It depends on the work. I have a very basic open framed, outdoor wood oven which was built according to instructions laid out by French ceramic artist, Camille Virot. My relationship with this oven is very engaged, like with a musical instrument. I use it most of the time as I live in the countryside and have access to a lot of wood, and I like using dried leaves and straw to smoke the pieces. Since we don’t have any neighbors it doesn’t bother anyone either.
Your work feels like a real collaboration with the botanical world, both urban and rural landscapes?
Camilla Bo’ is an Italian freelance journalist and stylist. After two years of study in Paris she returned to her native Rome to study architecture. The art of critique proved more fruitful for Camilla and she began to write for the Association of Art and Critic about art and design and on her personal blog Choufouchouf. Focusing on the relation and communication between fashion and art, she decided to follow her creative nature not only giving a voice to the library she has on her laptop but also as inspiration for editorials. She’s now based in London, attending the course of «Art Direction for Fashion» at the Central Saint Martins College of Art.
The Curator Ad Litem then compiles a detailed report, which should contain two independent letters from certified medical practitioners who have examined the patient and are of the opinion that the patient is unable to manage their own affairs. This report is then served on the offices of the Master of the High Court, who then is responsible for approving the application for a Curator Bonis. The Master's office then compiles a report in which it either supports or rejects the application.